A course-workshop for dancers · presented by
Music for DancersFrom what you want to dance to the music you need.
A course-workshop for dancers and choreographers, born out of a real case that has already been on stage. You arrive with a piece in your head and leave with its music, made with artificial intelligence and assembled by you, plus a master prompt that will direct you next time. Taught by Ángeles Rodríguez and Arturo Ordorika.
- Format
- In person, 3.5 h
- or online, two 2-hour sessions
- How to book it
- For your institution or for you
- there is no open group: we quote it
- Institutional
- $18,000 MXN
- group of up to 10, total price · launch rate, September and October 2026
- Straight to you
- $3,000 MXN
- three sessions · up to two more people, $1,000 MXN each
Listen first
Sirena Interior
0:00 / 4:58
Arturo Ordorika and Ángeles Rodríguez, on the poem Sirenas by Princesa Hernández. The piece this course came out of.
The case first, the promise after
Sirena Interior has already been on stage. More than twelve times.
A poem by Princesa Hernández, Sirenas, became a three-part piece composed with artificial intelligence by Arturo Ordorika and Ángeles Rodríguez. Ángeles choreographed it and danced it: it premiered in December 2025 at Breve Espacio, in Puebla, and it lives on in the tour Presentación del libro La sin rumbo: more than twelve performances, and still running. Alis, nine years old, a student at Ollin Cuauchinanco, has danced it too: with her teacher first, and then alone, at the graduation of the Centro Escolar General Rafael Cravioto Pacheco high school.
The whole story, with the full song and the note on rights, lives in Daimonique: Sirena Interior, the dance that premiered its own score →
The room did not see an experiment. It saw a work.
Ángeles set the rule
Music in dialogue with the body and its movement.
Almost always dance starts from music: a piece exists and the body accommodates itself to it. To its tempo, its length, the climaxes somebody else decided. This course-workshop changes the relationship. You bring the work you want to make, and you learn to create the music that work needed: music and dance accompanying and completing each other.
music → movement
music ⇄ movement
Starting from the poem Sirenas by Princesa, I imagined the language of the body and began to idealize the music. It was then, with the poetic intelligence of Arturo, who showed me what Suno could do, that a sonic habitat was born for Sirenas, one the body finally came to inhabit through dance.
What happens in the session
Seven steps, from the work to the piece
Suno does not show up in the first hour. First the work, then the word, and the machine last. And the body closes the circle.
What you learn here is how to direct a creative process. The good prompt is a consequence.
- 01
Imagine
What do you want to dance? What happens, what you want to provoke, how long it lasts. And what music would be incapable of telling it.
led by Ángeles
- 02
Write it down
Intuition turns into a letter of musical direction a composer could read. This is where The Copilot comes in.
led by Arturo
- 03
The score of the body
The map by timings: what happens on stage in each stretch, how much energy, and the exact second everything changes.
led by both
- 04
Turn it into instruction
Genre, instrumentation, tempo, texture, exclusions. You learn to ask for what you actually want.
led by Arturo
- 05
Listen, discard, direct
The first generation is almost never any good. You listen with judgment and change one variable at a time.
led by both
- 06
Build
A generated song is not your piece yet. You cut, order and assemble the best fragments.
led by Arturo
- 07
Dance it
The music returns to its purpose. If the change lands where the body asks for it, the piece is done.
led by Ángeles
This is how Sirena Interior.
Three generations. One free editor. No mastering at all. Touch any stretch and hear where one piece ends and the next begins.
That is how you leave the course: with a piece of your own, assembled exactly like this one, ready to walk into rehearsal. And with the method to make the next one without us.
The course-workshop, in plain words
Who for, how, and how much
Who it is for
- Independent dancers and choreographers staging their own work.
- Dance teachers who want music made to measure for their school productions.
- Advanced students preparing an exam, a showing or a graduation piece.
No composing and no coding required. The only thing you need to know is what you want to create.
Two formats
- In person · one 3.5-hour session
- A small group. You leave with your piece assembled the same day.
- Online · two 2-hour sessions
- With work in between. Iterating takes real hours.
There is no open group for now: it is booked for an institution, for you, or for your group.
You leave with your piece finished and edited, The Copilot (the master prompt), the score of the body, the Suno guide, the rights checklist and your logbook. The platform may change tomorrow; the method stays with you.
Investment
Three ways to solve it, depending on how much you want to do yourself.
1 · Learn
The course-workshop
For schools, companies and academies, or straight to you. In person or online.
$18,000 MXN
For your institution · group of up to 10
total price for the group · launch rate, September and October 2026
$3,000 MXN
Straight to you · three 90-minute sessions on your own work
up to two more people, $1,000 MXN each
2 · Do it with me
Follow-up advisory
Only for those who have already taken this course-workshop and want a hand with a specific work.
$1,200 MXN
Ninety minutes on your work, in two voices: Ángeles and Arturo
per session
3 · Do it for me
Commissioned piece
For anyone who would rather not learn it and wants the music solved, with written permission of use.
from $2,500 MXN
Three versions and two rounds of revision
launch rate · with editing, $4,500 MXN
from $6,000 MXN
For a company, a festival or an institution
quoted according to the work
Prices in Mexican pesos. The Suno account is not included. Stage-use rights depend on the plan you download your piece with: that is part of the course-workshop and it is explained in the dossier.
The dossier
The seven steps minute by minute, the full kit, what you need to bring, what an institution provides and receives, the rights module, and the form to request a quote. Online or as a PDF, to take to your school or your company.
It is presented by Ollin Cuauchinanco A.C., an Associated School of Artistic Initiation of Mexico's INBAL in Huauchinango, which runs itself with artificial intelligence (the case, in Daimonique), y Syncron iA, a laboratory of applied imagination.
Ángeles Rodríguez, the body and the judgment: founder and director of Ollin, a graduate of the Nellie and Gloria Campobello National School of Dance of INBAL. She created and danced the piece this course-workshop came out of.
Arturo Ordorika, the word and the machine: writer, founder of Syncron iA. He came to artificial intelligence from the craft of writing, not from technology.
Frequently asked
What you are almost certainly wondering
Do I need to know music, or music production?
No. The starting point is your work. The score of the body translates what you already know how to do, which is dance, into decisions about sound: tempo, character, structure. The method takes care of the musical technique.
Do I need to master AI, or be technical?
No again. You arrive with your work and your references; the platform is learned inside the session, with someone beside you. AI proposes; you decide, and your dance has the last word.
Is the music I create mine? Can I use it on stage?
The course-workshop includes a rights module with a one-page checklist: what each plan allows for stage use, how to credit, and what not to do. You leave knowing exactly what ground you are standing on.